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The year 1607 was a momentous year
for Prince Khurram, the eldest son of Emperor Jahangir and his
father's favourite. He was a young handsome prince accustomed to
luxury and refinement. As he made his way to the Meena bazaar, the
private market attached to the harem, he was surrounded by a string of
fawning companions, all eager to catch his eye. Even at 15, young
Khurram cut a dashing figure with his father's aristocratic nose, high
forehead and large languid eyes. Every maid at the bazaar carried a
torch for him.
The Flame is Lit
Arjumand Banu sat with her silks and glass beads at her shop. She was
the daughter of Asaf Khan, the brother of the emperor Jahangir's
consort, Noorjahan. Exquisitely pretty, Khurram was drawn to her. He
saw a piece of glass at her stall and asked its worth. When she
saucily replied that it was diamond and not glass he gave her ten
thousand rupees (a sum she boldly said he could not afford), picked up
the piece of glass and left carryimg with him her image in his mind.
Flamming Passions
The next day Khurram boldly presented his case before the Emperor
seeking Arjumand's hand in marriage. The Emperor raised his hand in
assent, perhaps recalling his own love for Noorjahan. However, five
years were to pass before Khurram was to marry his beloved. Meanwhile,
he was married to Quandari Begum, a Persian princess, for political
reasons.
A Royal Marriage
The astrologers chose 1612 as auspicious for Khurranb's union with
Arjumand. By now he was 20, and she, 19. It was a grand wedding, as
befits an Emperor's son. Jahangir and Khurram went in procession,
surrounded by nobles, musicians and dancers, acrobats, rare animals in
cages, slaves and priests. Jahangir himself adorned Khurram with the
wedding wreath of pearls. On the bride, he bestowed great honours.
A Perfect match
Deeply influenced by her aunt, Noorjahan, Arjumand Banu was, unlike
her aunt, compassionate, generous and demure. Court poets woud
celebrate her beauty saying the moon hid in shame before her. She was
inseparable from Khurram and often accompanied him with an entourage
when he went to fight wars. In her 19 years of marriage, she bore him
14 children, 7 of whom died in infancy.
Mumtaz Mahal
After Jahangir's death, Khurram became Shah Jahan and Arjumand Banu,
Mumtaz Mahal. He built sumptuous palaces for her, for instance, the
Khas Mahal in Agra fort. She daily rose in his confidence eventually
giving her the royal seal, Muhr Uzah. She continually interceded on
behalf of petitioners and gave allowances to widows and orphans. Like
many royal ladies, she also had nerves of steel. She is said to have
enjoyed the spectacle of men in combat with animals. Shah Jahan is
believed to have persecuted the Portuguese at Hooghly at her behest.
Death of a Dream
Mumtaz Mahal died in childbirth in 1630 ib the Deccan where she had
gone accompanying Shah Jahan as he went to war with Khan Jahanb Lodi.
As she lay on her deathbed, it is said that she whispered to him to
build for her a monument that would symbolize the beauty of their
love. For a week Shah Jahan remained behind closed doors. When he
emerged his hair had turned white, his back was bent, his face worn
with despair. The entire kingdom was ordered into mourning for two
years.
Tribute to Beauty
As a tribute to a beautiful woman and as a monument to enduring love,
the Taj reveals its subtleties at leisure. The rectangular base of Taj
is in itself symbolic of the different sides from which to view a
beautiful woman. The main gate is like a veil to a woman's face which
should be lifted delicately, gently and without haste on the wedding
night. Shah Jahan surely had his chaste and exquisite bride in mind
when he planned the Taj Mahal.
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